Freelance Lecturer and Writer

I am an experienced lecturer, writer, and researcher, writing thoughtful and lyrical content to meet artists’ text-based needs. My recent commercial experience includes exhibition essays, artist bios, artist statements and long form blog posts. I was an invited guest blogger for Cambridge University’s Arts and Creativities Research Group in 2020 and was subsequently invited to co-author a book chapter on ‘Doing Rebellious Research’, an innovative text that explores how to create research that is more meaningful to more people using surprising and maverick methods. Meanwhile, closer to home in Australia, I have been regularly writing on contemporary art for my blog: How to start a love affair with art. My professional experience across both the visual arts and writing enables me to build strong and inviting bridges between audiences and artworks.

Lecture Series

2023 Art Gallery of New South Wales Lecture series: How to start a love affair with art

Lecture Testimonials

I really enjoyed the interactive aspects that you included in your lectures – I went on an Art Bus tour this week and we went to several galleries, and I felt myself viewing the works in a completely different manner - my interactions with the artist and the galleries were on a completely different level – your lecture series was extremely beneficial. Thank you. Lecture Guest AGNSW.

I think for me what’s important about your lecture style and the way that you approach the whole interactive process is that you encourage your audience to be highly active in how they engage with the art. Whereas quite often without that sort of informal approach, and that kind of encouragement, viewing art is a very passive process. Your lecture style is extremely visceral, engaging and fun. You really create something special. You make it happen. Lecture Guest AGNSW.

Examples of my writing can be viewed here:

2023 Kate Dorrough Catalogue essay, ArtHouse Gallery

2023 The making of a golden reliquary in the art of Catherine O'Donnell

2023 Echoes of my grandmother in the art of Clarice Beckett

2023 Witnessing by Alicia Henry - a personal essay

2023 Everything is different: Contemplating loss and the work of Paraskevy Begetis at Articulate Project Space

2022 Jo Bertini:Paintings of awe and intimacy

2022 Writing about the work of Dianne Gall at Nanda Hobbs and Maddison Gibbs and Salllvage, (Rowan Savage) at Cement Fondu

2022 A thoughtful provocation – the work of David Griggs

2022 Giddy Up: Amplifying the tension between representation and abstraction

2022 Juliana Góngora Rojas – Arrullos

2021 A personal reflection on acknowledgment of country

2021    SIDNEY TEODORUK X NEIL TOMKINS - Holy Mountain Catalogue introduction

2021  An intimate reflection on Bow Echo - the work of Aziz Hazara  

2020   The Ethics of Performativity and the Effect and Affect of Anonymity in Online Platforms Invited Guest Blogger, Cambridge University Arts and Creativities research Group

2019    Hardenvale: our home in Absurdia Catalogue essay

2019    Warwick Fuller - Chasing the Light, Essay for artists monograph

Testimonials

Naomi is a lyrical and knowledgeable writer who carefully and with rigour takes her readers on unexpected literary journeys that enrich their experience of the art at hand. The insights she brings to the artist’s works are valuable to both artist and audience alike. I have no hesitation in recommending Naomi as a thoughtful arts writer who I am confident will bring value to any project she contributes to. Will Mansfield, Gallery Manager, Arthouse Gallery

Naomi is a pleasure to work with. She is a perceptive, insightful writer. She applies her highly developed and formidable skill at locating the heart of the work and turns it into elegant, engaging prose that draw the reader into a deeper relationship with the art and the ideas contained within it. I would not hesitate to recommend her for any writing project artists need done. Catherine O’Donnell, Artist

I can’t fault Naomi’s essay ‘A Thoughful provocation - the work of David Griggs’, in any way. It’s very, very good. Actually, feel it’s the first thing I have read about my work that is accurate! David Griggs, Artist

Naomi’s written introduction for my latest catalogue added invaluable insight and gravitas to the artworks. Backed by years of knowledge and breadth of experience she was ever mindful of my commercial gallery audience and deftly presented ideas in a few succinct paragraphs. I found her immediately enthusiastic to understand the artworks and able to meet the short time frame provided. I would recommend Naomi in a heartbeat. Sarah Birtles, Art adviser and consultant

It’s such a pleasure to have Naomi on board. She is a superb writer, and we were blessed and incredibly grateful to have her write up such an engaging piece for us! Her writing captured our collaborative process perfectly! Sidney Teodoruk, Artist


Writing package for artists

I am deeply experienced in drawing out the intellectual, emotional, and poetic heart of individual artistic practices and skilled at developing writing that draws diverse audience into deeper engagement with individual artistic practices. Indeed, artists themselves have often found conversation with me to be generative, affirming and illuminating, contributing in a dynamic manner to their ongoing relationship to their own work.

  • Interview and studio visit (1 - 2 hours)

  • Artist Bio (short and extended version)

  • Artist statement, (short and extended version)

  • CV Review

  • Package Cost $650

Essays - Quoted individually

To discuss your art writing needs and how I can support and amplify your practice through the written word, contact me at avisiontoshare@live.com.au


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Bio

Australian born, Naomi McCarthy grew up travelling through England and Europe with her dad’s band. During these peripatetic early years she loved being in galleries and classrooms, to her they were a space of friendship, learning and discovery, providing a welcoming community even when she didn’t speak the local language. Her professional life honours these two spaces of creative encounter. Pursuing her delight in art and in education she is currently a PhD candidate being supervised between The University of Cambridge, UK and Western Sydney University, Australia. She has an Undergraduate Degree in Fine Arts, a Graduate Diploma of Education and a Masters of Creative Writing all awarded with distinction.

Graduate Researcher in Cultural MediationThe University of Cambridge UKWestern Sydney University Australia

Graduate Researcher in Cultural Mediation

The University of Cambridge UK

Western Sydney University Australia

PhD

On the Road to Damascus: Theorising transformational encounters in art galleries and museums.

We think best about the world and most deeply when we are engaged in contemplating art. (Saunders, 2019)

At their best visual arts learning and engagement programs are brave, dynamic and inclusive practices that: honour the individual and respect the collective; include aesthetic pleasure and the delight of discovery; and encourage deep and thoughtful reflection on the human condition. Through my PhD research I am seeking to learn more about what audience engagement practices in art galleries and museums encourage affirmative, personal, social and cultural, transformations to occur.

https://orcid.org/0000-0003-1574-9172

 

ProteaPencil on 210 gsm cartridge paper 300 x 290 mm

Protea

Pencil on 210 gsm cartridge paper

300 x 290 mm

ARTWORKS

Naomi’s drawing practice is inspired by her Nan, Nance Canham, who lived to be 105 years old and inspired Naomi with her Grace, kindness and love of nature. For a list of works on paper for sale with prices contact Naomi via the contact page. …………………………………………….

News across writing, symposiums and events

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KALEIDOSCOPE CONFERENCE, 2020

The University of Cambridge - Ignite Talk

Artful-relational-cultural-mediation: Contemporary art-as- catalyst. # Viewers will explore the potential of working with contemporary art as a catalyst to generating ‘artful-relational-cultural-mediation,’ a dynamic, performative, pedagogic practice of art appreciation. Collectively we will engage with and negotiate a sample of purposively selected contemporary digital artwork/s that are encoded with complex, intercultural, political and personal narratives. The selected works feature the performed body of the artist as a marker of power, inverter of accepted narratives, trope to problematize the landscape and revealer of the conceit of cultural norms.

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International Conference on Narrative 2020

International Society of Narrative, New Orleans

Demonstrating and theorising the development of shared narratives through embodied art encounters  

Through this performance lecture I will demonstrate and theorise the way that narrative-based, embodied, emboldened, recursive encounters with art objects, when research informed and personally framed, can generate collective, transformational experiences that encourage empathic encounters with people both like and unlike ourselves.  

 

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SCULPTING CHANGE; HOW PROFESSIONAL DOCTORAL STUDENTS ARE CONTRIBUTING TO RESEARCH, PRACTICE AND POLICY IN THE MIDST OF COVID-19, 2020

The University of Cambridge

Society is inundated with imagery and artistic expressions, whereby the familiarity of art can be appropriated to raise critical awareness through which the tools necessary to enact radical democracy and critical citizens theory can be dispensed. (Villaverde, 1998)

In this presentation, we will explore the potent space between sensation and cognition (Ellsworth, as cited in Springgay, 2011) working through the lens of contemporary art as a catalyst to generating authentic spaces for enlivening, surprising, generative encounters. Collectively we will engage with a sample of purposively selected contemporary digital artworks that are encoded with complex, intercultural, political and personal narratives. And, consider some of the impacts of translating situated practices into virtual learning scenarios has. What might be lost and what might be gained?

A spectacular heartfelt public artwork

 

Creative collective, Dandelion Projects, of which Naomi is a founding member, won the Pat Parker Memorial Residency for Blacktown Art Centre, 2017.  The winning project, Veil of Wishes, resulted in a major public art installation, exhibited in the floor to ceiling windows of the Max Webber Library, January 2018.

Naomi reflects on the project in this way: "I often imagine, especially just on dusk as the day is drawing to a close, a bubble of yearning gathering in the sky over the suburbs. For this project, we gathered up the secret wishes of people who live in the Blacktown district and created a digital text-based film. The film accompanied the glorious yellow veil of over 2000 tissue paper dandelions. Because, whilst considered a weed by some, a dandelion has the ability, with just a teaspoon of soil and a drop of rain, to pop up practically anywhere, resilient and cheerful. Dandelion Projects took this cheerful resilience and used this project to spread the seeds of creativity among project participants, including multicultural festival goers, Afghan, Chinese, Indian, Bhutanese community groups, women's and young women's leadership groups, local schools, friends, families and general public. The Veil also became part of Blacktown's International Women's Day Celebrations thanks to SydWest Multicultural Services. This project was a pleasure to deliver and a great opportunity to get to know people whilst sitting side by side creating beautiful, handcrafted dandelions. Individual dandelions which when joined with hundreds and hundreds of other dandelions created a spectacular celebration of people, place and creativity. Since the Veil of Wishes project came to an end and was de-installed from the Library - word has it that its sunny presence is still sorely missed.  

 

 
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Wings of Desire 

 

Interactive artwork - Strathfield Spring Fair 2016

 

 
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Pop Up Truth and Dare - Lost Paradise Festival 

 

30 December 2014 – 2 January 2015

Pop-Up Truth and Dare at the Lost Paradise Festival was the second iteration of Truth and Dare on the Dual Camino. Set within the beauty of Glenworth Valley, Truths and dares posed by the seven animateurs from our inaugural project have been specifically chosen to instigate fun and interaction among festivalgoers.

 
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